Penguin Imprint
Nick Amphlett, Senior Editor
Nick Amphlett joined Dutton as a Senior Editor in September 2024. He acquires nonfiction, with particular interest in history, politics and current events, popular science, narrative nonfiction, biography, and sports. Prior to Dutton, he spent ten years at William Morrow, where he edited a range of leading journalists, academics, and thought leaders, including recipients of…
Read MoreCassidy Sachs, Editor
Cassidy Sachs joined Dutton in 2017 and has a list that’s all about empowerment. She is especially keen to acquire narrative disrupting nonfiction and books that flip the script in some way across the genres of journalism and history, as well as expert-led investigations written by trailblazing scholars. She is seeking book club fiction that…
Read MorePilar Garcia-Brown, Senior Editor
Pilar Garcia-Brown joined Dutton as a Senior Editor in September 2021. Previously, she worked at Mariner Books/Houghton Mifflin Harcourt. She concentrates on fiction in multiple categories, as well as the occasional narrative nonfiction. She’s interested in voice and character-driven fiction that upends expectation or plays with genre, and is especially drawn to novels that tackle urgent, contemporary…
Read MoreLindsey Rose, Executive Editor
Lindsey Rose joined Dutton in January 2019 as an executive editor with a particular focus on upmarket and commercial fiction as well as thrillers, crime, and suspense. Recent and upcoming titles include Abi Daré’s powerful voice-driven Nigeria-set debut The Girl with the Louding Voice, which was a New York Times bestseller and a #ReadWithJenna Today Show book club…
Read MoreBrent Howard, Executive Editor
Brent Howard joined Dutton in March 2017, specializing in nonfiction with a focus on history, biography, military, politics and food. In a career spanning seventeen years, he has worked with a wide range of authors, including Martin Dugard, Alex Kershaw, Daniel Stone, John C. McManus, Luke Barr, William C. Davis, James Donovan, Josh Ireland, David…
Read MoreMaya Ziv, VP, Editorial Director
Maya Ziv joined Dutton in 2015, focusing on upmarket and literary fiction and select narrative nonfiction. Recent and upcoming fiction include New York Times bestselling author Riley’s Sager’s Middle of the Night, Ana Reyes New York Times bestseller The House in the Pines, Hank Green’s #1 New York Times bestseller, An Absolutely Remarkable Thing and A Beautifully Foolish Endeavor, Adriana Trigiani’s New York Times bestseller, The Good Left Undone, The Sicilian Inheritance by award-winning…
Read MoreJill Schwartzman, VP & Executive Editor; Editorial Director, Plume
Jill Schwartzman joined Dutton in January 2012 with a mandate to acquire platform, publicity, and voice-driven nonfiction, with a focus on celebrity, pop culture, memoir, humor, music, biography, and narrative nonfiction. Recent and upcoming Dutton titles include Nick Offerman’s fifth New York Times bestseller Where the Deer and the Antelope Play, Des Linden’s Choosing to…
Read MoreLashanda Anakwah, Editor
Lashanda Anakwah is an editor at Tiny Reparations acquiring fiction and select non-fiction titles. Before joining Tiny Reparations she worked at the Simon & Schuster flagship imprint. She is building a list that captures a wide array of human experiences, and is drawn to edgy voice driven literary, upmarket and commercial fiction , centered on complicated, unique characters.…
Read MoreGabriella Mongelli, Editor
Gabriella Mongelli joined Putnam in 2018 and acquires literary and smart upmarket fiction. She is drawn to projects that feature layered, ambitious storytelling, fresh perspectives that spark conversation, and have a strong sense of voice and lots of heart. From deeply braided family sagas and coming-of-self narratives to clever retellings and book club reads, she is…
Read MoreDanielle Dieterich, Editor
Danielle Dieterich joined Putnam in 2015. She is interested in smart fiction with a page-turning quality and an unforgettable hook. In particular, she is drawn to suspense and psychological thrillers, as well as both contemporary and historical women’s fiction, and novels with distinctive voices, rich atmosphere, or a high-concept or speculative twist. From edgy thrillers…
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